PARIS (AP) — The European Union has congratulated director Ken Loach, who took the Palme d'Or in Cannes for 'I, Daniel Blake,' a film partly funded by the European Commission. Loach received the French Riviera festival's top. The dark-horse winner of the Palme d'Or at the 2016 Cannes film festival, I, Daniel Blake is a small film about unheard voices that punches above its weight, made all the more relevant in the wake of the EU referendum. A middle aged carpenter who requires state welfare after injuring himself, is joined by a single mother in a similar scenario. Entrar com Twitter; Entrar com Facebook; Esqueci minha senha; Cadastre-se. Daniel Blake, 59, has worked as a joiner most of his life in Newcastle. Jonathan MORRIS - Film Editor. In Competition – Feature Films 2017. I, Daniel Blake (2017) Trailer HD Winner of the Palme d’Or at the 2016 Cannes Film Festival, the latest from legendary director Ken Loach is a gripping, huma. I, Daniel Blake 2016 Director: Ken Loach Screenplay: Paul Laverty, Ken Loach Cinematography: Robbie Ryan Cast: Dave. Moi, Daniel Blake est un film r. Synopsis : Pour la premi The latest Tweets from I, Daniel Blake (@idanielblake). Official UK Twitter for Ken Loach's award-winning new film 'I, Daniel Blake'. Gruff but goodhearted, Daniel Blake (Dave Johns) is a man out of time: a widowed woodworker who. But after a heart attack leaves him unable to work and the state welfare system fails him, the stubbornly self- reliant Daniel must stand up and fight for his dignity, leading a one- man crusade for compassion that will transform the lives of a struggling single mother (Hayley Squires) and her two children. Graced with humor and heart, I, Daniel Blake is a moving, much- needed reminder of the power of empathy from one of the world. The tale of Daniel Blake (Dave Johns), a 5. Newcastle, who is fighting to hold on to his welfare benefits, even though his heart condition forbids him from working, is one that. With the right handling, the movie has a chance to connect with audiences as few Loach films ever have. A widower with no children, he has recently suffered a heart attack and receives an Employment and Support Allowance from the British state. But then, for no good reason, his benefits are denied; the state wants him to go back to work . The movie takes us through the agony of the appeals process, which is a much bigger nightmare than it sounds like, because all Daniel is trying to win is the right to an appeal. Daniel is forced to take a class in how to draw up a CV, but even then, he writes it out in longhand . The main thing Daniel learns in the class is that there are dozens of people applying for every low- wage job. In other words: Why even bother? In the welfare office, Daniel spots a woman in a similar predicament, and being the Samaritan he is, he tries to help Katie (Hayley Squires) and her two kids get set up in their new flat. They’ve been squeezed out of the newly gentrified London, with no money and no prospects, and the four begin to hang out, because they have nothing much else to do. Yet in their way, they form a ragtag surrogate family. Squires has a dark- eyed beauty, yet her performance is so emotionally addled with dissolute worry that when we look at her, all we see is her stressed- out sadness. She literally cuts down on what she eats to have the money to feed her kids, and when she. The layers of bureaucracy, which have only been added to with the Internet, are designed to wear people down. Johns, in a powerful performance, gives Daniel a plucky decency but a lonely anger underneath that simmers until it needs to explode. Daniel works to give the system every benefit of the doubt, until it insults his very being, at which point he has an impromptu . The quiet beauty of “I, Daniel Blake” . And when the movie ends, we feel like we won. Running time: 1. 00 MIN. Production(U. K.- France- Belgium) A Le Pacte (in France) release of a Sixteen Films, Why Not Prods., Wild Bunch, BFI, BBC Films, Les Films du Fleuve, France 2 Cin. Executive producers, Pascal Caucheteux, Gr. Screenplay, Paul Laverty. Camera (color), Robbie Ryan; editor, Jonathan Morris; music, George Fenton; production designers, Fergus Clegg, Linda Wilson; costume designer, Joanne Slater; sound (Dolby Digital), Ray Beckett; sound editor, Kevin Brazier; line producer, Eimhear Mc. Mahon; casting, Kahleen Crawford. With. Dave Johns, Hayley Squires, Dylan Mc. Kiernan, Briana Shann, Kate Rutter, Sharon Percy, Kema Sikazwe.
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